Multiple Choice
Identify the choice that best completes the
statement or answers the question.
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1.
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What are the three factors involved in controlling the exposure of the
image?
a. | sensor, gain, speed | c. | iris, shutter speed, gain | b. | gain, iris,
aperture | d. | shutter speed,
light, focus |
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2.
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What is true of a lower-third?
a. | It gets its name from the fact that it is positioned on the lower horizontal third of
the screen. | b. | It often contains two lines of text. | c. | It is text that identifies the person
onscreen. | d. | all of the above |
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3.
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Which microphone is useful for its unidirectional pickup pattern, picking up
sound from a single direction?
a. | lavalier mic | c. | body mic | b. | shotgun mic | d. | all of the
above |
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Perspectives
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4.
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What is a Voice over (VO)?
a. | voice narration added during editing | b. | Music that you might add to your sound
track during editing | c. | Sound effects added in
editing | d. | the background sounds that come from the environment you shoot in, such as birds
chirping, cars going past, hum from fluorescent lights, etc. |
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5.
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What is Ambient sound?
a. | the background sounds that come from the environment you shoot in, such as birds
chirping, cars going past, hum from fluorescent lights, etc | b. | on-camera
dialog | c. | Sound effects added in editing | d. | Music that you might add to your sound track
during editing |
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6.
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The professional approach to lighting that utilizes the use of three light
sources that allow you to adjust the direction, pattern and intensity of each source. Often used with
a green screen.
a. | Tri point Lighting | c. | Overhead Lighting | b. | Green Screen Lighting | d. | Three Point
Lighting |
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7.
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__________ is any video that isn’t the main action; that illustrates or
shows examples. You might think of it as Background-roll.
a. | Secondary Shot | c. | B-roll | b. | Example Roll | d. | Sub-roll |
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8.
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What is the the 180 degree rule?
a. | a basic guideline regarding the on-screen spatial relationship between a character
and another character or object within a scene. | b. | An imaginary line called the axis connects the
characters and by keeping the camera on one side of this axis for every shot in the
scene. | c. | enables the audience to visually connect with unseen movement happening around and
behind the immediate subject and is important to the narration of battle scenes. | d. | All of the
above |
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9.
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Is a shot that shows the reaction to something that just occurred in your
scene.
a. | High angle | d. | Over the shoulder (OTS) | b. | Flat
shot | e. | Reaction
shot | c. | Point-of-view shots (POV) | f. | Low angle |
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10.
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Is a shot that is a type of POV shot. It is often used when it is impractical
for the camera to be in the same position as the person whose point of view you are showing.
It’s also used a lot when depicting a conversation between two people.
a. | Point-of-view shots (POV) | d. | Low angle | b. | Over the shoulder
(OTS) | e. | Reaction
shot | c. | High angle | f. | Flat shot |
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11.
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Is a shot that occurs when the camera is lowered to a position below the height
of the subject.
a. | High angle | d. | Over the shoulder (OTS) | b. | Flat
shot | e. | Low
angle | c. | Reaction shot | f. | Point-of-view shots (POV) |
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12.
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Titles and text are usually kept within the ________ to make sure they can
be seen in their entirety.
a. | Margins | c. | Title Safe Area | b. | Center | d. | Recording
designation |
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13.
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Is a shot that changes the point of view, by repositioning the camera to show
things from the perspective of the actors.
a. | Flat shot | d. | Point-of-view shots (POV) | b. | Over the shoulder
(OTS) | e. | Reaction
shot | c. | Low angle | f. | High angle |
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14.
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The ________ is where you match your video action with other story elements,
such as dialog, voiceovers, music, sound effects, etc.
a. | Outline | c. | Storyboard | b. | Template | d. | Script |
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15.
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The assembly of shots and the portrayal of action or ideas through the use of
many short shots.
a. | Forethought | c. | Collection | b. | Montage | d. | Collage |
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News Broadcasting
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16.
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The list of camera setups used for recording a scene is called a:
a. | camera list | c. | production list | b. | recording guide | d. | shot list |
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17.
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Effective communication should:
a. | be positive | c. | get to the point | b. | all of the above | d. | include
listening |
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18.
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A good team member is:
a. | willing to compromise, open minded, and trustworthy | b. | a born leader,
unfocused, and an idea generator | c. | opinionated, a good talker, and
design-focused | d. | all of the above |
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19.
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Professionals who take into account the needs of their viewers, readers, and
listeners are taking what type of approach?
a. | audience-centered approach | c. | technical skills
approach | b. | visionary approach | d. | production-centered approach |
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20.
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One advantage to shooting with two cameras is the opportunity for ________ to
cover up any awkward cuts or audio flubs.
a. | dialogue | c. | Titles | b. | editors | d. | B-roll |
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21.
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During an interview, why should you ask your subject to include the question you
ask in their answer?
a. | It is never a good idea to have the subject include the question in their
response. | b. | If you ask a yes or no question, you have a better chance of capturing a useful sound
bite. | c. | They will most likely not want to answer the question directly. | d. | It gives you time to
think about their answer. |
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22.
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The three points of lighting for interviews are:
a. | back light, radial, fill light | b. | production light, back stage light, front stage
light | c. | key light, natural light, outdoor light | d. | fill light, back
light, key light |
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Camera Movement
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23.
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The shot usually involve the use of some sort of wheeled camera support for
smooth camera movement
a. | Tilt | d. | Dollying | b. | Arc | e. | Tracking | c. | Pedestal | f. | Pan |
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24.
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The shot is created by shooting while moving in a semicircle around your
subject
a. | Tilt | d. | Pan | b. | Tracking | e. | Arc | c. | Pedestal | f. | Dollying |
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25.
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The horizontal pivoting of the camera from a fixed point, left to right or right
to left.
a. | Arc | d. | Pan | b. | Tracking | e. | Tilt | c. | Dollying | f. | Pedestal |
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26.
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Is performed by moving the camera toward or away from a subject.
a. | Zooming | c. | Trucking | b. | Dollying | d. | Reframing |
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27.
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Is probably the most overused shot of lazy or novice videographers.
a. | Zooming | c. | Reframing | b. | Dollying | d. | Trucking |
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28.
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Occurs when you pivot your camera up or down from a fixed position.
a. | Tracking | d. | Arc | b. | Pan | e. | Pedestal | c. | Dollying | f. | Tilt |
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29.
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Is the lateral movement of the camera at right angles to the subject.
a. | Reframing | c. | Zooming | b. | Dollying | d. | Trucking |
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Adobe Premiere Pro
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30.
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An important distinction between bins in Premiere Pro and folders on your hard
drive is that bins exist only inside your Premiere Pro project file and won't appear as
individual folders on your hard drive.
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31.
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To automatically create a sequence that matches your media, you drag and drop a
clip in the Project panel onto which button in Premiere Pro?
a. | New Sequence button | b. | You can't create a sequence that matches
your media. | c. | New Item menu button | d. | Mix format
button |
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32.
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If you delete a clip in the Project panel that is already in a sequence, the
clip will remain in the sequence.
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33.
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What is an important consideration for an audio script?
a. | Narration and interviews should be identified and labeled
appropriately. | b. | It should be written in language and cadence used for speaking. | c. | It should begin with
an introduction and end with a closing. | d. | all of the
above |
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34.
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In Adobe Premiere Pro, If a graphic is placed on the upper video track and a
video is placed on the video track below it, the graphic will appear in front of the video.
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35.
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Which type of shot involves shooting twice as many frames or more per second and
then playing back the footage at normal speed?
a. | fast-motion shot | c. | slow-motion shot | b. | slow disclosure shot | d. | none of the
above |
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36.
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What is true after bringing up the ISO, or gain, on your camera?
a. | Less image noise occurs as a result. | b. | You can capture a brighter image in low
light. | c. | You get more color saturation. | d. | The camera shuts off in low
light. |
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37.
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What style of lighting has moderate contrast and is used most often in
dramas?
a. | studio lighting | c. | high-key lighting | b. | available lighting | d. | none of the
above |
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38.
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Which shots are used most frequently for dialogue-heavy scenes?
a. | medium close-up | c. | close-up | b. | two-shot | d. | medium shot |
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39.
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Leaning against a wall or placing your elbows on a table are both methods to
achieve what?
a. | a well-lit shot | c. | stabilization | b. | the best audio | d. | all of the
above |
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40.
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What factor affects the choice of camera used in a production?
a. | cost | c. | desired workflow | b. | image quality | d. | all of the
above |
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41.
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What is true of a clapboard, or slate?
a. | It is used to synchronize picture and sound. | b. | It is available as a
mobile app. | c. | It is a visual label used in the editing process. | d. | all of the
above |
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42.
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Fast pans and zooms are common techniques that should be used regularly in your
camera work.
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43.
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You should shoot more footage than what will appear in your final
production.
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44.
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What does DSLR camera stand for?
a. | digital single-lens reflex camera | c. | dark shot-lens recovery
camera | b. | digital shot-lens reflex camera | d. | digital short-lens reflex
camera |
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45.
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In the three-act structure, what is the term used to describe the moment when
the main character accepts the challenge of achieving a goal?
a. | protagonist resolution | c. | second act break | b. | first act break | d. | second act
start |
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46.
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A lens with a longer focal length than a normal lens produces the following
result:
a. | less background is shown | b. | There is no change when compared to the normal
lens. | c. | distortion at the edge of the frame | d. | a fisheye
effect |
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Matching
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Film Produciton Roles
Match the film production job titles with their
descriptions. a. | Producer | g. | Actors | b. | Director | h. | Music Supervisor | c. | Screenwriter | i. | Camera Operator | d. | Production
Designer | j. | Boom
Operator | e. | Cinematographer | k. | Production Sound Mixer | f. | Editor |
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47.
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Before one inch of film is shot, this person is the first artist to translate
the script into visual form. He or she creates a series of storyboards that serve as the film's
first draft.
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48.
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the one holding the microphone on the pole wearing headphones in order to get
the microphone as close to the action as possible, without the equipment or its shadows showing up on
camera
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49.
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makes sure all audio tracks are recording properly and takes all the audio
inputs generated by the filming process and records them to flash media cards. They’ll then
place mics on each actor or character and record them on separate channels, giving them the ability
to adjust the audio levels of each mic individually.
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50.
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Responsible for portraying the characters in a film, thes people work closely
with the director and cinematographer.
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51.
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Selects the appropriate music for the film to intensify the story for the
audience.
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52.
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is responsible for capturing the script on film or video and must pay attention
to lighting and the camera's technical capabilities. Achieves the director’s vision
through choice of lighting, film stock and careful manipulation of the camera.
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53.
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operates the camera for film productions to meet the vision of the director to
capture scenes on film.
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54.
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This person is essentially the group leader and is responsible for managing the
production from start to finish. Develops the project from the initial idea, makes sure the script is
finalized, arranges the financing and manages the production team that makes the film.
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55.
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provides dialogue for the actors as well as shapes the sequence of events in a
film to ensure that one scene transitions to the next so that the story will unfold logically and in
an interesting way.
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56.
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is primarily responsible for overseeing the shooting and assembly of a
film.
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57.
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Shortly after shooting begins, the this person begins to organize the footage
and arranges individual shots into one continuous sequence. This person's choices about which
shots to use, and the order in which to place them, have a profound effect on the appearance of the
final film.
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Broadcast News Matching - Part 1 a. | establishing shot | k. | lead | b. | teleprompter | l. | Standard out cue (SOC) | c. | over the shoulder
shot | m. | Voice over/sound on
tape (VO/SOT) | d. | bump/tease | n. | elements | e. | Voice over (VO) | o. | man-on-the-street (MOS) | f. | intro | p. | sound
bite | g. | reporter | q. | Close-up | h. | package | r. | B-roll | i. | control
room | s. | natural
sound | j. | script | t. | OUT |
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58.
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This is a complete edited story from a reporter. It is usually two minutes or
less in length. The story includes narration, visual images, graphics and interviews with
sources.
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59.
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a series of interviews of a cross-section of people generally found in public
places; goal is to gather a representative sample of opinions on a certain subject; known as
POS(person on street)
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60.
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Video terminal that displays the script for the anchor to read. It helps
give the appearance that the anchor is telling you the news like a friend.
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61.
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a room adjacent to the studio in which the director, the audio engineer and the
producer put on a newscast and various production functions. This is the place that works together to
put the newscast on every day
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62.
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indicates the last few words of the source's quote, ending the sound
bite
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63.
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This is the written version of a video news report. In most newsrooms the
script is split down the middle of the page with the left side giving video instructions and the
right side showing the words and sounds you will see in the video.
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64.
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"stay-tuned" teaser before a commercial, to entice viewers to
continue watching the broadcast for stories that will follow the break
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65.
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Video segment that shows a source speaking. Generally they should not be more
than :15.
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66.
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This is when an anchor's voice is heard over video. The words and images
should coincide. Narration that does not correspond to someone speaking in the
scene
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67.
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A shot where the face of an actor lls the frame
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68.
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Anchor or reporter read copy preceding a television news package.
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69.
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This is an anchor's voice over video images followed with a sound
bite.
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70.
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when a camera shoots over a reporter's shoulder; it may or may not
actually show the shoulder; gives the viewer the sense that they are involved in the interview and
perspective
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71.
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This is a wide shot used to show where an interview, scene, or event is taking
place.
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72.
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the sound, other than a reporter of interview subject's voice, recorded
while video is being shot
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73.
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Supporting video that is used to cover a reporter's narration in a news
story. Extra footage shot to support an existing scene.
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74.
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this is the person who is chiefly responsible for gathering information for a
story and then writing the script. The reporter's voice is used to narrate the report and often
the reporter will appear on camera, which is called a stand up.
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75.
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Reporter's sign-off comments at the end of the Package. For example:
"This is Angela Hill for WWL-TV.”
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76.
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These are the different things that it takes to make up a news package, i.e. -
video, music, natural sound (NAT), interviews (SOT), and voiceovers (VOs).
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77.
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The first sentence of a story. In television, if the story is presented as a
package, the lead is often called the anchor lead and includes an introduction of the reporter. All
story leads should be written with the goal of attracting viewer attention. It's also the FIRST
story in a newscast
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Broadcast News Matching - Part 2 a. | Effective
communication | k. | Reshoots | b. | Investigative style | l. | Cutaway | c. | Shotgun
mic | m. | Title-safe
zone | d. | Main respondent | n. | Editor | e. | Talking head | o. | Work ethic | f. | Lavalier | p. | Credits | g. | Talking head shot | q. | Writer | h. | Producer | r. | Leader | i. | Viewnder | s. | Message | j. | Deliverable |
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78.
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A type of manager who knows how to use available resources to help others
achieve their goals.
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79.
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A wireless body mic that can be clipped directly on the talent
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80.
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A style of News Reporting where the structure of the project depends on the
truths unearthed by it.
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81.
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The area in the frame where all text and graphics should be contained.
Usually 10% in from each edge of the frame.
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82.
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A microphone with a long, cylindrical shape that is placed on a mount with a
handle similar to that of a rearm.
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83.
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The ability to show respect to everyone around you while you perform your
responsibilities as best you can. Also called professionalism.
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84.
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The day-to-day manager of a media production, responsible for making sure
everyone else is doing their job.
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85.
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The original creator of a story or project. The writer visualizes the plot and
theme, and creates the characters, visual descriptions, and dialogue.
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86.
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The primary subject in an interview.
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87.
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A shot other than the main action that is inserted into a scene.
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88.
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A list of the cast and crew positions in a media piece and who held those
roles.
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89.
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a television personality or person who appears in interviews
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90.
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Communication in which the receiver interprets the message the way the sender
intended.
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91.
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A medium shot or MCU in which the subject looks slightly off-axis to the
camera. Usually used for interviews. Also called an interview shot
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92.
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During postproduction, the reshooting of a scene when some fundamental
element does not work.
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93.
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The story a media content creator wants to tell.
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94.
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A display that allows the camera operator to determine the limits or edges of
what is in the shot.
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95.
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The crew member primarily in charge of cutting the media project
together, nding the best takes in the footage, creating cohesive and coherent scenes, and
creating rhythm as needed.
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96.
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A product, or segment of a product, that can be provided to an
employer, client, or the public, usually as specied by a contract. Typically, the
nished version of the project.
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Traditional Rules of Composition a. | The Rule of Thirds | c. | Lead
space | b. | Headroom | d. | Background elements |
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97.
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states that you should mentally divide the frame (what you see in the
viewfinder) into thirds, both vertically and horizontally
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98.
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refers to space in front of your subject
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99.
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background of your shot doesn’t draw your viewer’s attention from
your main subject
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100.
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refers to the amount of space between the top of a person’s head and the
top of your frame
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