Matching
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Film Produciton Roles
Match the film production job titles with their
descriptions. a. | Producer | g. | Actors | b. | Director | h. | Music Supervisor | c. | Screenwriter | i. | Camera Operator | d. | Production
Designer | j. | Boom
Operator | e. | Cinematographer | k. | Production Sound Mixer | f. | Editor |
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1.
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the one holding the microphone on the pole wearing headphones in order to get
the microphone as close to the action as possible, without the equipment or its shadows showing up on
camera
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2.
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is responsible for capturing the script on film or video and must pay attention
to lighting and the camera's technical capabilities. Achieves the director’s vision
through choice of lighting, film stock and careful manipulation of the camera.
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3.
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This person is essentially the group leader and is responsible for managing the
production from start to finish. Develops the project from the initial idea, makes sure the script is
finalized, arranges the financing and manages the production team that makes the film.
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4.
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is primarily responsible for overseeing the shooting and assembly of a
film.
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5.
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Selects the appropriate music for the film to intensify the story for the
audience.
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6.
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Shortly after shooting begins, the this person begins to organize the footage
and arranges individual shots into one continuous sequence. This person's choices about which
shots to use, and the order in which to place them, have a profound effect on the appearance of the
final film.
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7.
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operates the camera for film productions to meet the vision of the director to
capture scenes on film.
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8.
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Responsible for portraying the characters in a film, thes people work closely
with the director and cinematographer.
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9.
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provides dialogue for the actors as well as shapes the sequence of events in a
film to ensure that one scene transitions to the next so that the story will unfold logically and in
an interesting way.
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10.
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Before one inch of film is shot, this person is the first artist to translate
the script into visual form. He or she creates a series of storyboards that serve as the film's
first draft.
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11.
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makes sure all audio tracks are recording properly and takes all the audio
inputs generated by the filming process and records them to flash media cards. They’ll then
place mics on each actor or character and record them on separate channels, giving them the ability
to adjust the audio levels of each mic individually.
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Broadcast News Matching - Part 2 a. | Effective
communication | k. | Reshoots | b. | Investigative style | l. | Cutaway | c. | Shotgun
mic | m. | Title-safe
zone | d. | Main respondent | n. | Editor | e. | Talking head | o. | Work ethic | f. | Lavalier | p. | Credits | g. | Talking head shot | q. | Writer | h. | Producer | r. | Leader | i. | Viewnder | s. | Message | j. | Deliverable |
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12.
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Communication in which the receiver interprets the message the way the sender
intended.
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13.
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The original creator of a story or project. The writer visualizes the plot and
theme, and creates the characters, visual descriptions, and dialogue.
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14.
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The area in the frame where all text and graphics should be contained.
Usually 10% in from each edge of the frame.
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15.
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A list of the cast and crew positions in a media piece and who held those
roles.
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16.
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The primary subject in an interview.
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17.
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A shot other than the main action that is inserted into a scene.
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18.
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A medium shot or MCU in which the subject looks slightly off-axis to the
camera. Usually used for interviews. Also called an interview shot
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19.
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The ability to show respect to everyone around you while you perform your
responsibilities as best you can. Also called professionalism.
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20.
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A type of manager who knows how to use available resources to help others
achieve their goals.
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21.
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The day-to-day manager of a media production, responsible for making sure
everyone else is doing their job.
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22.
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A product, or segment of a product, that can be provided to an
employer, client, or the public, usually as specied by a contract. Typically, the
nished version of the project.
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23.
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A microphone with a long, cylindrical shape that is placed on a mount with a
handle similar to that of a rearm.
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24.
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A display that allows the camera operator to determine the limits or edges of
what is in the shot.
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25.
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A style of News Reporting where the structure of the project depends on the
truths unearthed by it.
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26.
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During postproduction, the reshooting of a scene when some fundamental
element does not work.
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27.
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A wireless body mic that can be clipped directly on the talent
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28.
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a television personality or person who appears in interviews
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29.
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The crew member primarily in charge of cutting the media project
together, nding the best takes in the footage, creating cohesive and coherent scenes, and
creating rhythm as needed.
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30.
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The story a media content creator wants to tell.
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Broadcast News Matching - Part 1 a. | establishing shot | k. | lead | b. | teleprompter | l. | Standard out cue (SOC) | c. | over the shoulder
shot | m. | Voice over/sound on
tape (VO/SOT) | d. | bump/tease | n. | elements | e. | Voice over (VO) | o. | man-on-the-street (MOS) | f. | intro | p. | sound
bite | g. | reporter | q. | Close-up | h. | package | r. | B-roll | i. | control
room | s. | natural
sound | j. | script | t. | OUT |
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31.
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This is a complete edited story from a reporter. It is usually two minutes or
less in length. The story includes narration, visual images, graphics and interviews with
sources.
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32.
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Video segment that shows a source speaking. Generally they should not be more
than :15.
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33.
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when a camera shoots over a reporter's shoulder; it may or may not
actually show the shoulder; gives the viewer the sense that they are involved in the interview and
perspective
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34.
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This is when an anchor's voice is heard over video. The words and images
should coincide. Narration that does not correspond to someone speaking in the
scene
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35.
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Reporter's sign-off comments at the end of the Package. For example:
"This is Angela Hill for WWL-TV.”
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36.
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These are the different things that it takes to make up a news package, i.e. -
video, music, natural sound (NAT), interviews (SOT), and voiceovers (VOs).
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37.
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The first sentence of a story. In television, if the story is presented as a
package, the lead is often called the anchor lead and includes an introduction of the reporter. All
story leads should be written with the goal of attracting viewer attention. It's also the FIRST
story in a newscast
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38.
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a room adjacent to the studio in which the director, the audio engineer and the
producer put on a newscast and various production functions. This is the place that works together to
put the newscast on every day
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39.
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the sound, other than a reporter of interview subject's voice, recorded
while video is being shot
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40.
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"stay-tuned" teaser before a commercial, to entice viewers to
continue watching the broadcast for stories that will follow the break
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41.
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This is the written version of a video news report. In most newsrooms the
script is split down the middle of the page with the left side giving video instructions and the
right side showing the words and sounds you will see in the video.
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42.
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Anchor or reporter read copy preceding a television news package.
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43.
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A shot where the face of an actor lls the frame
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44.
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Supporting video that is used to cover a reporter's narration in a news
story. Extra footage shot to support an existing scene.
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45.
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this is the person who is chiefly responsible for gathering information for a
story and then writing the script. The reporter's voice is used to narrate the report and often
the reporter will appear on camera, which is called a stand up.
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46.
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Video terminal that displays the script for the anchor to read. It helps
give the appearance that the anchor is telling you the news like a friend.
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47.
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indicates the last few words of the source's quote, ending the sound
bite
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48.
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This is a wide shot used to show where an interview, scene, or event is taking
place.
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49.
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This is an anchor's voice over video images followed with a sound
bite.
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50.
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a series of interviews of a cross-section of people generally found in public
places; goal is to gather a representative sample of opinions on a certain subject; known as
POS(person on street)
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Traditional Rules of Composition a. | The Rule of Thirds | c. | Lead
space | b. | Headroom | d. | Background elements |
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51.
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background of your shot doesn’t draw your viewer’s attention from
your main subject
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52.
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refers to the amount of space between the top of a person’s head and the
top of your frame
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53.
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states that you should mentally divide the frame (what you see in the
viewfinder) into thirds, both vertically and horizontally
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54.
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refers to space in front of your subject
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Multiple Choice
Identify the choice that best completes the
statement or answers the question.
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Adobe Premiere Pro
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55.
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If you delete a clip in the Project panel that is already in a sequence, the
clip will remain in the sequence.
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56.
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To automatically create a sequence that matches your media, you drag and drop a
clip in the Project panel onto which button in Premiere Pro?
a. | Mix format button | b. | New Sequence button | c. | New Item menu
button | d. | You can't create a sequence that matches your
media. |
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57.
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What is an important consideration for an audio script?
a. | It should begin with an introduction and end with a closing. | b. | Narration and
interviews should be identified and labeled appropriately. | c. | It should be written
in language and cadence used for speaking. | d. | all of the
above |
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58.
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In Adobe Premiere Pro, If a graphic is placed on the upper video track and a
video is placed on the video track below it, the graphic will appear in front of the video.
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59.
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An important distinction between bins in Premiere Pro and folders on your hard
drive is that bins exist only inside your Premiere Pro project file and won't appear as
individual folders on your hard drive.
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Camera Movement
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60.
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Occurs when you pivot your camera up or down from a fixed position.
a. | Tracking | d. | Tilt | b. | Dollying | e. | Pedestal | c. | Arc | f. | Pan |
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61.
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The shot is created by shooting while moving in a semicircle around your
subject
a. | Arc | d. | Dollying | b. | Pan | e. | Pedestal | c. | Tilt | f. | Tracking |
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62.
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The horizontal pivoting of the camera from a fixed point, left to right or right
to left.
a. | Pan | d. | Tilt | b. | Tracking | e. | Pedestal | c. | Arc | f. | Dollying |
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63.
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Is the lateral movement of the camera at right angles to the subject.
a. | Trucking | c. | Dollying | b. | Reframing | d. | Zooming |
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64.
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Is performed by moving the camera toward or away from a subject.
a. | Zooming | c. | Dollying | b. | Reframing | d. | Trucking |
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65.
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The shot usually involve the use of some sort of wheeled camera support for
smooth camera movement
a. | Tilt | d. | Pan | b. | Arc | e. | Tracking | c. | Pedestal | f. | Dollying |
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66.
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Is probably the most overused shot of lazy or novice videographers.
a. | Reframing | c. | Zooming | b. | Dollying | d. | Trucking |
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News Broadcasting
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67.
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A good team member is:
a. | a born leader, unfocused, and an idea generator | b. | willing to
compromise, open minded, and trustworthy | c. | opinionated, a good talker, and
design-focused | d. | all of the above |
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68.
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The three points of lighting for interviews are:
a. | back light, radial, fill light | b. | fill light, back light, key
light | c. | production light, back stage light, front stage light | d. | key light, natural
light, outdoor light |
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69.
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During an interview, why should you ask your subject to include the question you
ask in their answer?
a. | They will most likely not want to answer the question directly. | b. | It is never a good
idea to have the subject include the question in their response. | c. | It gives you time to
think about their answer. | d. | If you ask a yes or no question, you have a
better chance of capturing a useful sound bite. |
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70.
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The list of camera setups used for recording a scene is called a:
a. | camera list | c. | production list | b. | recording guide | d. | shot list |
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71.
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One advantage to shooting with two cameras is the opportunity for ________ to
cover up any awkward cuts or audio flubs.
a. | dialogue | c. | editors | b. | B-roll | d. | Titles |
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72.
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Professionals who take into account the needs of their viewers, readers, and
listeners are taking what type of approach?
a. | audience-centered approach | c. | visionary
approach | b. | production-centered approach | d. | technical skills
approach |
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73.
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Effective communication should:
a. | include listening | c. | get to the
point | b. | be positive | d. | all of the above |
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74.
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You should shoot more footage than what will appear in your final
production.
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Perspectives
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75.
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What is Ambient sound?
a. | on-camera dialog | b. | the background sounds that come from the
environment you shoot in, such as birds chirping, cars going past, hum from fluorescent lights,
etc | c. | Music that you might add to your sound track during editing | d. | Sound effects
added in editing |
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76.
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What is the the 180 degree rule?
a. | An imaginary line called the axis connects the characters and by keeping the camera
on one side of this axis for every shot in the scene. | b. | enables the audience to visually connect with
unseen movement happening around and behind the immediate subject and is important to the narration
of battle scenes. | c. | a basic guideline regarding the on-screen
spatial relationship between a character and another character or object within a
scene. | d. | All of the above |
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77.
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Is a shot that shows the reaction to something that just occurred in your
scene.
a. | High angle | d. | Low angle | b. | Point-of-view shots (POV) | e. | Reaction shot | c. | Over the shoulder
(OTS) | f. | Flat
shot |
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78.
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Is a shot that is a type of POV shot. It is often used when it is impractical
for the camera to be in the same position as the person whose point of view you are showing.
It’s also used a lot when depicting a conversation between two people.
a. | Over the shoulder (OTS) | d. | Point-of-view shots
(POV) | b. | High angle | e. | Low angle | c. | Flat shot | f. | Reaction shot |
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79.
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Titles and text are usually kept within the ________ to make sure they can
be seen in their entirety.
a. | Recording designation | c. | Title Safe Area | b. | Margins | d. | Center |
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80.
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The ________ is where you match your video action with other story elements,
such as dialog, voiceovers, music, sound effects, etc.
a. | Storyboard | c. | Template | b. | Script | d. | Outline |
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81.
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Is a shot that occurs when the camera is lowered to a position below the height
of the subject.
a. | High angle | d. | Over the shoulder (OTS) | b. | Reaction
shot | e. | Low
angle | c. | Flat shot | f. | Point-of-view shots (POV) |
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82.
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__________ is any video that isn’t the main action; that illustrates or
shows examples. You might think of it as Background-roll.
a. | Secondary Shot | c. | Sub-roll | b. | B-roll | d. | Example Roll |
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83.
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What is a Voice over (VO)?
a. | the background sounds that come from the environment you shoot in, such as birds
chirping, cars going past, hum from fluorescent lights, etc. | b. | voice narration
added during editing | c. | Sound effects added in
editing | d. | Music that you might add to your sound track during
editing |
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84.
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The professional approach to lighting that utilizes the use of three light
sources that allow you to adjust the direction, pattern and intensity of each source. Often used with
a green screen.
a. | Overhead Lighting | c. | Tri point Lighting | b. | Green Screen Lighting | d. | Three Point
Lighting |
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85.
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The assembly of shots and the portrayal of action or ideas through the use of
many short shots.
a. | Collection | c. | Montage | b. | Forethought | d. | Collage |
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86.
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Is a shot that changes the point of view, by repositioning the camera to show
things from the perspective of the actors.
a. | Flat shot | d. | High angle | b. | Over the shoulder (OTS) | e. | Reaction shot | c. | Low
angle | f. | Point-of-view shots
(POV) |
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87.
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What style of lighting has moderate contrast and is used most often in
dramas?
a. | high-key lighting | c. | studio lighting | b. | available lighting | d. | none of the
above |
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88.
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What is true of a lower-third?
a. | It gets its name from the fact that it is positioned on the lower horizontal third of
the screen. | b. | It often contains two lines of text. | c. | It is text that identifies the person
onscreen. | d. | all of the above |
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89.
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What is true after bringing up the ISO, or gain, on your camera?
a. | You can capture a brighter image in low light. | b. | Less image noise
occurs as a result. | c. | The camera shuts off in low
light. | d. | You get more color saturation. |
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90.
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What does DSLR camera stand for?
a. | digital shot-lens reflex camera | c. | digital short-lens reflex
camera | b. | dark shot-lens recovery camera | d. | digital single-lens reflex
camera |
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91.
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Fast pans and zooms are common techniques that should be used regularly in your
camera work.
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92.
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A lens with a longer focal length than a normal lens produces the following
result:
a. | a fisheye effect | b. | There is no change when compared to the normal
lens. | c. | distortion at the edge of the frame | d. | less background is
shown |
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93.
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Which microphone is useful for its unidirectional pickup pattern, picking up
sound from a single direction?
a. | shotgun mic | c. | lavalier mic | b. | body mic | d. | all of the
above |
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94.
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What are the three factors involved in controlling the exposure of the
image?
a. | gain, iris, aperture | c. | iris, shutter speed, gain | b. | shutter speed,
light, focus | d. | sensor, gain,
speed |
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95.
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What factor affects the choice of camera used in a production?
a. | cost | c. | desired workflow | b. | image quality | d. | all of the
above |
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96.
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Leaning against a wall or placing your elbows on a table are both methods to
achieve what?
a. | the best audio | c. | a well-lit shot | b. | stabilization | d. | all of the
above |
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97.
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What is true of a clapboard, or slate?
a. | It is available as a mobile app. | b. | It is used to synchronize picture and
sound. | c. | It is a visual label used in the editing process. | d. | all of the
above |
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98.
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Which type of shot involves shooting twice as many frames or more per second and
then playing back the footage at normal speed?
a. | slow-motion shot | c. | slow disclosure shot | b. | fast-motion shot | d. | none of the
above |
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99.
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In the three-act structure, what is the term used to describe the moment when
the main character accepts the challenge of achieving a goal?
a. | second act start | c. | second act break | b. | protagonist resolution | d. | first act break |
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100.
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Which shots are used most frequently for dialogue-heavy scenes?
a. | medium close-up | c. | close-up | b. | medium shot | d. | two-shot |
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